‘Tis the season to relax on the couch and devour a box of festive treats in front of a good movie, a poor film, or one that’s so bad it’s good.
As always, a crop of latest Christmas films aims to become part of our festive viewing—potentially even earning a place alongside beloved favorites like Home Alone, Elf, Love Actually, and Die Hard (we won’t debate it).
Thus, in a noble effort to distinguish the gems from the coal, and to embrace the holiday mood, I watched as many recent holiday releases as possible in a single day.
Beginning, ideally, on a good foot. This film is the sole 2025 entry on a famous website's list of the best 100 Christmas movies of all time.
The popular band find themselves stuck in the UK after wrapping up their world tour and must make it back for Christmas. Their endeavors are hampered by an evil Santa, who breaks into song to announce they won’t get home until they “rediscover their sibling bond.”
The repartee between the squabbling siblings is enjoyable even for the uninitiated, while fans will undoubtedly catch lots of easter eggs as they try to get back using every mode of travel possible.
It’s private planes, trains and automobiles.
It’s not legendary, but is excellent for fans and a solid start to the day.
Christmas tree rating: 🎄🎄🎄🎄🎄 for Jonas Brothers fans or 🎄🎄🎄 for their relatives who will have to sit through it.
A-list actor Kiefer Sutherland appears as a celebrity roped into a traditional British stage show.
“A panto-what??” asks Sutherland’s “hard-to-work-with” and ageing action hero Brad Mack, who has hit a rough patch and whose manager has deceived him into thinking he’s starring in high-class London stage.
His pantomime cast-mates tell him he’s playing Buttons. “Absolutely not,” he insists angrily. One can imagine their response. Unless you’re ignorant of traditional stage call-and-response.
There are some very funny lines, some touching sub-plots, and the rest of the cast is excellent, too.
It’s the type of film that would be a bit cheesy at a different time, but is a highly enjoyable at Christmas.
Festive score: 🎄🎄🎄🎄
An actor appears at the start of this film, too, delivering a signature line for the next movie straight. Could this be a new Christmas tradition?
This time, he’s a musical taxi operator who encounters Mr Sood, the latest spin on Mr Scrooge from Charles Dickens’ A Christmas Carol.
Mr Sood is played by an actor from Kunal Nayyar and Christmas Karma is directed by the director of Gurinder Chadha. The classic narrative progresses as the tight-fisted Mr Sood is haunted by the apparitions of Christmas past, present and future, played by Hugh Bonneville, Billy Porter, and Boy George.
This cultural adaptation is at least different from all the others, but unfortunately he’s not very captivating and Nayyar’s acting is wooden—a problem when he’s so the main character.
Festive score: 🎄🎄
There's just enough time for a channel's Christmas comedy-drama—which stars Guz Khan as a charmingly cantankerous character who “avoids Christmas.”
But after he receives an sizable holiday payout at work, his wife (portrayed by Morgana Robinson) talks him into spending the sum on a family trip to Lapland.
There’s just one snag—he learns there was an mistake with his bonus, which should have been £800, and he has to determine how to pay back the difference.
Enjoyable but forgettable.
Holiday verdict: 🎄🎄
This is one of those Christmas films where the tree, fairy lights and snow are in the setting—Christmas is the environment of the film rather than its core purpose—but it feels warm and holiday-like all the same.
Ambitious executive Sydney (starring Minka Kelly) is dispatched to a vineyard to do a deal for a sparkling wine company. On the way, she encounters a fellow in a literary haven who promises to show her a festive Paris.
An expert recently claimed this is the finest new Christmas film of the recent era. That’s a bit of a stretch, but it is a festive dalliance with a hint of sophistication and gives the obligatory cozy feelings.
The scene with a extended debate about Die Hard is particularly strong too.
Holiday verdict: 🎄🎄🎄
Sixteen-year-old Chris, played by Lenny Rush, holds onto his belief in Father Christmas, regardless of the attempts of his dad (played by James Buckley) to tell him the truth.
The answer is somewhere, and Chris embarks on a quest to find it with the guidance of a team of well-known scientists and personalities.
It’s gentle but endearing, and ideal viewing while expecting Santa to visit.
Festive score: 🎄🎄🎄
Michelle Pfeiffer is the matriarch of a bickering American family who reunite for the holidays—including fellow acclaimed actress Felicity Jones, Chloe Grace Moretz, Jason Schwartzman, and dad Denis Leary.
Pfeiffer starts by mentioning classic festive films like National Lampoon’s Christmas Vacation, It’s A Wonderful Life and Home Alone, before declaring: “They need to make a movie about the true heroes of the holidays—moms.”
So that’s what this is, but in practice it’s really a mash-up of those forerunner films, at least until Pfeiffer’s character finally comes into her own.
Holiday verdict: 🎄🎄
The day’s gone downhill, but thankfully here’s a new offering in the packed genre of formulaic, schmaltzy, badly acted—and highly entertaining—festive fodder.
It’s a story as old as time: An American woman goes on a quest to a far-off wintery locale and ends up stumbling across romance.
In this case, Caprice Bourret plays a publisher